Nosie

Wood Infusion

Goldfield & Banks logoGoldfield & Banks
Country
AU
PerfumerHamid Merati-Kashani
WebsiteView Details
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Description

A natural, rich, warm, and elegant fragrance with a grounding and sophisticated feel, inspired by lush Australian island woodlands.

Composition

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Related Vibes (2)

Ancient Botanical Essences
+2

Ancient Botanical Essences

Setting: A serene, sun-dappled enclosed courtyard or interior space. Ancient patterned tiles and sturdy dark wood create a timeless, earthy atmosphere, blending exotic dryness with botanical freshness. Objects: Carved wooden cabinet (primary); low wooden table (primary); dried botanicals in jars; diverse seed pods (primary); dried palm fronds; white jasmine flower; woven chair; potted green plants; ceramic pots. Persons or Creatures: A diligent botanist or curator, thoughtfully arranging natural specimens, experiences quiet satisfaction in the rich, earthy surroundings. Observer Persona: A scent enthusiast exploring traditional ingredients, captivated by the raw beauty and potential of each natural element. Olfactory Notes: Labdanum (dominant), myrrh, palo santo, dried pomegranate, sun-warmed wood, dry earth, jasmine (subtle), green leaves

haylie
@haylie
Belle Époque Botanicals
+2

Belle Époque Botanicals

Setting: Historic urban building, sun-drenched facade, leading to a quiet, elegant interior. Afternoon light filters through sheer curtains, creating a contemplative atmosphere. Objects: Ornate stone facade (primary); floral painted ceiling (primary); sheer curtains; large window; potted plant; glass laboratory flasks (primary); dried red flowers (primary); dark wood trim. Persons or Creatures: None explicitly present, but the scene implies a meticulous, introspective collector or artist tending to preserved natural beauty. Observer Persona: A connoisseur of historical elegance and preserved botanical beauty, finding quiet inspiration in curated details. Olfactory Notes: Dried rose, papyrus, old stone, sun-warmed linen, faint dust, clean glass

haylie
@haylie

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